Critical Analysis of Edvard Munchs The Scream Essay -- Visual Arts Pa

Critical Analysis of Edvard crunchs The ScreamThe Scream, sometimes known as The Cry was painted by Edvard cracklein 1893. Some say Munch played a role in the development of GermanExpressionism, though the Norwegian painter turned downcast two offers tojoin the group, and preferred not to be classified, or put into acategory. This photograph was part of Munchs The Frieze of Life, aseries of flicks each line drawing a phase of life - as defined byMunch Birth of Love, Blossoming and Dissolution of Love, Anguish ofLife, and death. The eleven paintings - The Kiss, bloody shame,Ashes, Dance of Life, Melancholy, Red Virginia Creeper, TheScream, Death in the Sick-Room, Puberty, Moonlight, and TheSick Child - are as moving today as they were a hundred years agowhen the motifs were first conceived.Munch finished The Scream in 1893. It was a lop of great personalmeaning to him. The painting was wish well the culmination of totally(a) thetragic and harrowing events in his life. When M unch was aged only cinqueyears old, his M new(prenominal) died from Tuberculosis. Nine years later, hisfavourite sister Sophie dies from tebibyte also, at the age of 15.Frequent illnesses prevent him from attending Technical college inChristiania (Oslo). In 1889, he is hit with perhaps the biggest blowso far his beloved father dies. Munch wroteAnd I live with the exsanguine ones my mother, my sister, my grandfather,my father- he, especially. Every memory, every little thing, they allcome back to me in flocks. I can see him again as I saying him for thelast time four months ago, when he told me goodbye on the remove wewere a little bit shy, we didnt want to betray the pain that this judicial separation was causing to us. How much we loved each other in malice ofeverything, how much he worried at night for me, for my life - becauseI couldnt share his faithTherefore, it is not surprising that the mood of the painting is sohaunting. Munch painted it surrounded by morbidity. The po int in thepainting where we see the figures, was a road on top of a knoll lookingover Christiania and the harbour. On one side of the knoll was apsychiatric hospital where one of his sisters had been sent, and onthe other side, an abattoir. Munch described the feeling heexperienced in a daybook entry in his literary diary in Nice, on the twenty-secondJanuary 18... ...e influenced two German expressionist groups, Die Brkeand Die Blaue Reiter. He had two offers from Die Blaue Reiter to jointhem, but he turned twain down. Painting was for Munch a personalexperience, and he did not like to share it, or put his works into anygrouping.The painting itself looks kind of slapdash, as though it was rushed.The thick streaks of oil paint give the raise of a movement blur,like the world was swirling around the figure. It is hard to divert between the water and the land, difficult to recognizewhere the hills in the background kick and the sunset begins.The Scream is a painting full of emo tion, full of mention notunderstood at the time of its birth. It reflects Munchs life at thattime, all the Death and anxiety that makes the painting so mysteriousand haunting, whilst also lively. When I look at it, I feel I can elatethe scream echoing from it. The screaming figure draws the attentionof the onlooker, but other aspects of the painting are just asinteresting.Whilst we cannot know what was going through and through Munchs mind when hepaintedThe Scream, we can guess that the painting evokes all thepain he was feeling.